Original review for Broadway World UK
This Tchaikovsky classic is the elegantly forged, glitteringly tragic jewel in the crown
From folktales to fairytales to festive (nut)crackers, Tchaikovsky’s trio of nineteenth-century compositions, originally choreographed by Petipa and Ivanov for the Imperial Russian company, are the crowning glory of the classical canon. Following on from performances of The Sleeping Beauty at the Coliseum and with the festive finale, The Nutcracker, to come at Christmastime, English National Ballet’s Swan Lake is the elegantly forged, glitteringly tragic jewel in the crown.
With Tchaikovsky’s iconic score shimmering in its elegance and shattering in its dramatic crescendos under conductor Gavin Sutherland’s assured leadership of the English National Ballet Philharmonic, the evening is an all-enveloping fight for good against evil. With evil sorcery, seduction, duplicity, and sacrifice, Swan Lake is a tragedy with untold dramatic depth: Odette, cursed to live as a white swan by the villainous von Rothbart – a devilish Junor Souza – waits for a saviour to swear their everlasting love and set her free, but valiant, if naïve, Prince Siegfried, deceived by Rothbart’s daughter Odile disguised as Odette, dooms his love to a life at the lake that only death can defeat.
A deceptively simple premise, the devil in Derek Deane’s production is in the detail: Continue reading “Review: English National Ballet’s Swan Lake”