Original review: Broadway World UK
Timeless escapist, enchanting, Ashton charm
La Fille mal gardée is classical choreographer Frederick Ashton at his most charming: comic, characterful, and with English classicism at its finest, it’s a playful romp through a pastoral picture of an unruly fille’s attempts to outfox her interfering mother to marry her charismatic but impoverished love. Balancing Ashton’s charming choreography with bright characterisation and breezy ballon, Birmingham Royal Ballet are absolutely beaming in this brightest of ballets.
With maypole dancing, a pony, and a pantomime dame, it’s a deceptively simple premise, but La Fille demands the same meticulous footwork, expressive épaulement, and effortless performance as any Ashton classic. The choreography is characterful – with a clog dance for the dame, a coop of dancing chickens – accompanied by some percussive clucking from the orchestra pit – and a very English gallop around the maypole – as well as intricate and vigorous, full of grand allegro leaps, lifts, and gallant pas de deux.
The pas de deux for lively Lise and her country lover Colas are just as playful as the pair themselves. Continue reading “Review: Birmingham Royal Ballet’s La Fille mal gardée”