Original review: Underdog Reviews
A farcical, fun-filled frolic
As the saying – and singing, in this opera – goes, ‘chacun à son gout!’: ‘to each his own taste’, and the taste of Welsh National Opera’s Die Fledermaus is champagne – bubbly, celebratory, flamboyant, but with a little bit of bitterness in the aftertaste.
Die Fledermaus is an operetta caught somewhere between Restoration and Shakespearean comedy: a well-moneyed misdemeanant – a markedly strong Mark Stone – seems more interested in other women than his own wife, everyone from the mischievous chambermaid to her suspicious mistress set about scheming their way into a masquerade ball, an elaborate if improbable plot featuring false identities, lots of flirting and a few faux-Frenchmen, and, of course, a finale where all is forgiven and the ruse is revealed. This is operetta with frills-and-all, and with all the fun and frolics, it’s more than just the misbehaving husband who’s getting merrily mocked, it’s the opulence and improbability of opera, too. Continue reading “Review: WNO’s Die Fledermaus”