Awakening the ancient: an homage to the original myths, a new hero to cheer for, and an achingly human touch
The age-old tale of Jason and the Argonauts: battle-hardened Greek heroes voyage to the far-off land of Colchis to fulfil a prophecy and capture the Golden Fleece, bringing back glory, inflated egos and even a girlfriend – however it’s told, it’s an exciting, timeless tale of trials and triumphs, but how do you breathe life into it today? In For The Winner, Emily Hauser awakens the ancient with an homage to the original myths, a new hero to cheer for, and an achingly human touch.
Reimagining a Greek myth means there’s a lot of ground to run: a host of Gods, the heroic Argonauts, an extensive map of far-off lands, but Hauser lets the exposition come from the most plausible place – the mouths of slaves, especially Atalanta’s feisty, faithful friend Myrtessa, who see it all first hand, and as a result it rarely feels forced. With such a wealth of myths to draw on, the paratextual material provided is not only immensely helpful but evidence of the depth of Hauser’s expertise, and whilst she honours the weight of history and writes with a erudite respect for her sources, she dives right to the heart of the story – the hustle of a marketplace, the exhaustion of an expedition, the sweet stickiness of an apricot – and even suggests some of it may be more lie than it is legend.
Atalanta is a Herculean hero, but she’s more heroic than he ever was: abandoned as a baby because she wasn’t a boy, her sure-footed, hard-fought fight to prove her worth as a woman in her own right is not only a refreshing take on an old tale, but as timely as it has ever been. This is about ambition, adventure, and a quest for equality, and Atalanta’s tale has a parallel in the goddess Iris, another woman waiting for her moment to win.
And, lastly, the greatest thing about this Greek retelling is that it is so alive. From the mortals – many of the men are all too recognisable as the ‘modern man’ with a golden cloak and a tan – to the Olympians – the narrative interspersed with italicised chapters from their perspective – and even the land, sea, and ships, everything is personified. The painful lashings on Atalanta’s palms elicit off the page, and the lashings of rain pour down on our heads as well as the heroes’. And not only that, but Hauser’s version focuses on friendship and family as much as fighting and fleeces, with prophecies and fate playing second fiddle to the very human power of choice and free will. It’s a powerfully refreshing take on an age-old formula, and its hero has fought harder to be there than any other.